All FAQs (Helpie FAQ)

Off the shoulder means the neckline sits below both shoulders, with sleeves or fabric continuing across the upper arm. Cold shoulder dresses have cut-outs at the shoulder while still having straps or sleeves nearby. Off the shoulder is more classic and bridal; cold shoulder is more fashion-forward.

Yes. Off the shoulder cuts soften the look of broad shoulders by drawing the eye across the collarbones and décolletage rather than to the shoulder line. The horizontal neckline visually narrows broader frames. Most broad-shouldered brides find off the shoulder one of their most flattering options.

A well-fitted off the shoulder gown stays exactly where it should, all day. The trick is in the bodice fit and a hidden internal grip strip. If the dress slips down, the upper bodice needs taking in. Mention any movement issues during alterations.

Both. Off the shoulder short sleeves (sometimes called Bardot sleeves) are romantic and 50s-inspired. Off the shoulder long sleeves are dramatic, often paired with fitted lace, and feel architectural. Both keep the shoulders bare and the upper arms covered. Browse the off the shoulder wedding dresses collection for sleeve options.

Yes. The horizontal neckline frames the collarbones and creates the illusion of fuller décolletage. Off the shoulder is one of the most popular cuts among brides with smaller busts because it adds the visual width that a deep V or plunge can’t.

Romantic, traditionally, but it depends on the rest of the gown. A lace off the shoulder ball gown with cap sleeves is classically romantic. A satin off the shoulder slip dress with no embellishment is sleek and modern. The shoulders set the romance; the silhouette decides the era.

Yes, if you wear a normal bra. Off the shoulder dresses need internal support: built-in cups, silicone, bridal tape or a custom corseted bodice. A well-engineered off the shoulder gown shouldn’t need any external bra at all. Discuss support needs at fitting one.

Anything that lets the bare shoulders show. Pulled-back styles work best: low chignons, soft updos, high ponytails. If you want to wear your hair down, a clear side parting or a styled side-sweep keeps hair off the open neckline. Avoid heavy hair sitting on bare shoulders.

Beautifully. Bare shoulders and a lifted neckline let air move around the neck, keeping you cooler than a high-neck dress. The fabric across the upper arms gives some sun coverage. For a midsummer NZ wedding, off the shoulder is one of the most comfortable styles.

By definition, off the shoulder is a low neckline (below the shoulders), so it can’t be combined with a high neck. What you can do is add an illusion mesh panel above the shoulder line for the look of a high neck while keeping the shoulder-down construction. Specialty design choice, worth asking about.

In some ways easier. Each piece can be altered independently, which means you can adjust the bodice fit without restitching a whole gown. Skirt length, waistline and bodice fit are each isolated jobs, which can speed up alterations. Browse the two piece wedding dresses collection for layered options.

Yes, if the silhouette is modest enough. A lace long sleeve top with a full ball gown skirt is a beautiful and reverent two piece look for a traditional church wedding. A cropped top with bare midriff is less likely to suit a religious setting.

Beautifully suited. Two piece looks let you skip the “traditional wedding gown” while still feeling bridal, which many second-time brides prefer. A clean satin skirt with a lace top, or tailored trousers with a beaded top, can feel completely right for a second ceremony.

Ball gown skirts for drama and tradition, slim satin skirts for modern minimalism, tulle A-line for romance, chiffon flowing skirts for boho and beach, and trousers or palazzo pants for fashion-forward looks. The skirt sets the mood of the whole outfit.

Yes, this is one of the most popular reception tricks. Wear a full skirt for the ceremony, remove it to reveal a slim skirt or shorts underneath for the dance floor. Designs vary, so confirm what your specific outfit allows during your first fitting.

A separate top and bottom designed to be worn together as a wedding outfit. The top might be a lace bodice, a crop top, a long sleeve top or a bridal bralette. The bottom might be a ball gown skirt, a slim satin skirt, tea length, or tailored trousers.

No. Many two piece looks show no skin at all: the top sits at the natural waist and the skirt picks up where the top ends. From the front, it reads as a single fitted dress. The visible gap is a styling choice, not a requirement.

Modern, in most cases. The format itself is contemporary, even if individual pieces (a lace top, a ball gown skirt) are traditional. Two piece looks suit brides who want fashion-forward bridalwear without committing to a one-of-a-kind couture gown.

You can, but it adds complexity. Fabric weight, colour and fit have to match cleanly when sourced from different makers. Many brides find it easier to buy a two piece outfit designed as a set, then alter slightly. Discuss your goals early in the process.

Yes. The waist seam between top and skirt becomes a strong feature in photos. Some brides love this (it cinches the waist and creates visual definition), others prefer the unbroken line of a single gown. Look at photos of both styles before committing.

Criss-cross strap details, delicate lace-up ribbons, low cowl drapes, scattered pearl detailing down the spine, and small fabric-covered buttons running from the waist to the hem. Browse the open back wedding dresses collection to see current detailing.

Most religious ceremonies are fine with an open back as long as the front is modest. If your celebrant has concerns, a lace illusion panel across the back can satisfy modesty requirements without compromising the design intent. Always check with your celebrant if you’re unsure.

Anything that lifts the hair off the back: low chignons, sleek high ponytails, half-up styles pinned forward, or hair swept over one shoulder. An open back is one of the strongest design features of a dress, so hair should let it show rather than hide it.

Slightly. Reaching overhead can pull a low-back bodice forward, so practise raising your arms while standing still in the dress at your final fitting. Hugging, dancing and dipping for photos are all fine. Just be aware that a very low back may need internal adjustment to feel secure throughout the day.

Sometimes. A seamstress can convert a closed back to an open back if the bodice is structured enough to support the change. This is less common than adding sleeves but possible. Discuss the bodice construction at your first fitting before assuming it can be done.

Very. Low scoop backs (to the waistband) are very common, V-backs can drop to the lower back, and dramatic open backs can sit at or just below the small of the back. Lower than that and you’re into the territory of architectural couture, which is possible but rare in off-the-rack collections.

A scoop back is a smooth U-curve, soft and romantic. A V-back forms a sharp V down the spine, more dramatic and modern. Both can be cut deep or shallow. V-backs tend to lengthen the torso visually; scoop backs frame the shoulders.

Yes, with the right bodice. A fuller bust needs internal support that doesn’t show across the back. Built-in cups, boning, side-supporting panels and a narrow strap of fabric across the upper back can hold things up without breaking the open-back look. Discuss your needs at fitting one.

For most open back gowns, you don’t wear a bra at all. The bodice is engineered to support you. For fuller busts, your seamstress can add internal corsetry, silicone cups or a hidden support band. Stick-on cups are a backup option for very low backs.

That’s a personal choice. Many brides wear their tattoos proudly with an open back dress. Others choose to cover them with concealer or makeup designed for this purpose, or styled with a flow of lace or beading down the spine. Talk to your seamstress about applique placement if you want a coverup option.

Sweetheart suits most busts, especially smaller to medium. A straight strapless line (sometimes called bandeau) feels modern and architectural. Soft curved necklines flatter fuller busts because they sit higher and provide more support. Try at least two strapless necklines side by side before deciding.

Yes, when properly fitted. The bodice should grip the rib cage just below the bust without digging in. Internal boning, silicone strips and a snug waistline do the work. If a strapless dress feels like it might slip, the fit needs adjusting, not the design.

A well-fitted strapless gown is surprisingly comfortable. The bodice should feel like a firm hug, not a constriction. Brides who report discomfort usually had a bodice that was either too tight at the rib cage or too loose at the bust. Both issues can be fixed during alterations.

Yes. A strapless line breaks the shoulder visually and can actually narrow the appearance of broad shoulders. A straight neckline tends to suit broad shoulders better than a deep sweetheart, which can emphasise width. Try a few cuts to see what your shoulders respond to.

Some churches require covered shoulders. A detachable wrap, lace topper, or detachable long sleeves can solve this. Many brides wear a strapless gown for the ceremony with a covering, then remove it for photos and reception. Browse the strapless wedding dresses collection for options with detachable elements.

“Strapless” describes that the dress has no shoulder straps. “Sweetheart” describes the shape of the neckline (a soft heart-shaped curve over the bust). A dress can be both strapless and sweetheart, or strapless with a different neckline like straight or scoop.

Yes, most strapless dresses can have straps added during alterations: spaghetti straps, fine lace cap sleeves, off-shoulder bands, or detachable long sleeves. Mention it at your first fitting so the seamstress can plan the bodice structure to support them.

A well-engineered strapless bodice has built-in cups, corset, boning and an internal grip band, so you usually don’t need additional support. For fuller busts, your seamstress can add stronger internal cups during alterations. Avoid wearing a regular strapless bra under the gown unless the bodice doesn’t support you on its own.

Very well. Bare shoulders, a strong collarbone line and an unbroken bodice photograph cleanly from any angle. They work especially well for outdoor ceremonies, beaches and golden-hour shoots where the natural light flatters bare skin. Less effective in heavily artificial light where bare shoulders can over-expose.

No, they remain one of the most popular silhouettes in NZ bridal. The shape has evolved: less stiff and heavily boned, more contoured and sleek. Modern strapless dresses sit closer to the body, use better fabrics, and often combine with sweetheart, scoop or straight necklines.

Fitted illusion lace sleeves, fitted plain satin sleeves with a high neck, and soft bishop sleeves are the three most-requested. Bell sleeves and 70s-inspired flared sleeves are coming back but still niche. All-over lace fitted to the wrist remains a timeless favourite for traditional and modern brides alike.

No, they’re worn year-round. For summer ceremonies, choose sheer illusion mesh sleeves, fine unlined chiffon, or detachable long sleeves you can remove for the reception. A well-made summer long sleeve gown is cooler than people expect because the fabric is light.

Illusion is the sheer mesh base that lace or beading is sewn onto. A “lace sleeve” usually means lace cut directly to the sleeve shape, while an “illusion sleeve” has lace motifs floating on visible mesh. Illusion sleeves look like detail suspended on skin; lace sleeves look like fabric over skin.

Bishop sleeves (full and gathered at the cuff) are firmly on trend right now. They feel romantic, soft and slightly Renaissance-inspired. In chiffon or soft tulle they feel boho; in crepe or satin they read modern and architectural. They photograph beautifully in movement.

Yes, detachable long sleeves are one of the most useful design options for brides who want ceremony coverage and reception freedom. They can attach with hidden hooks, buttons or magnets and remove cleanly without disturbing the bodice. Worth asking about at your first fitting.

Perfectly. Long sleeves usually satisfy any modesty requirements without sacrificing style. Lace illusion long sleeves are the most popular church ceremony solution because they look formal and beautiful while keeping shoulders and arms covered. Browse the long sleeve wedding dresses collection for traditional and contemporary options.

Bell sleeves are loose throughout and flare at the wrist with no cuff or gathering. Bishop sleeves are full all the way down then gathered into a fitted cuff. Bell sleeves feel vintage 70s and bohemian; bishop sleeves feel romantic and slightly historical. Both are flattering in soft fabrics.

Wrist-length sleeves are the most classic and elongate the line of the arm. Three-quarter sleeves can look smart and elegant on tall brides. Above-elbow short sleeves are flattering on most arms. Avoid sleeves that hit at the widest part of your upper arm, which can shorten the appearance.

Slightly. Sleeves need careful attention to keep the lace pattern continuous and the seams smooth. The cuff and shoulder area need to fit precisely or the sleeve twists. Build an extra fitting into your schedule if you have a long sleeve gown with detailed lace.

Yes, in most cases. Your seamstress can add illusion or lace sleeves to many strapless gowns, either permanently or as detachable pieces. The bodice has to be designed to accommodate them, so the earlier you decide, the cleaner the result.

Yes, beautifully. Lace catches light differently to plain fabric, which gives photographs depth and texture even in flat lighting. Off-white and ivory laces tend to photograph softer and more natural than pure white, which can read very stark against many skin tones.

High-quality lace, especially Chantilly and fine French lace, feels light and soft against the skin. Cheap synthetic lace can scratch. The biggest comfort difference is whether the sleeve is lined or unlined. Lined lace sleeves feel completely smooth; unlined gives a more direct lace-on-skin feel.

Beaded lace has small beads, pearls, sequins or crystals sewn onto the lace pattern, which adds sparkle and weight. Plain lace is the lace fabric alone. Beaded lace photographs richer, especially under evening light, but feels heavier and is more delicate during alterations.

Chantilly is fine, delicate and floral with a soft tulle base; it’s the most classically romantic. Alencon is heavier, with corded outlines around the motifs and a more sculpted look. “French lace” is a broader term covering both, plus other styles like Solstiss. The choice changes the mood from soft and ethereal to structured and rich.

Not at all. All-over lace can look very modern in the right cut: a slip silhouette in fine French lace, a fitted sheath with no train, or a contemporary A-line with clean shoulders. The lace is the texture; the cut decides whether it reads traditional or modern.

A lace bodice is the top section of the gown, from waist up, made of lace (often layered over silk or illusion mesh). It’s a popular way to add lace to a dress without committing to all-over lace. Pair with a plain satin or tulle skirt and you have a classic mix-and-match bridal look.

Lightweight lace works beautifully on beaches, especially boho-style fluid silhouettes in fine Chantilly or stretch lace. Heavier corded laces and beaded lace can feel too rich for sand. Browse the lace wedding dresses collection for both light and structured options.

Be mindful around rough surfaces (stone walls, jewellery clasps, rough wood, velcro, watch faces). Pin hair with smooth pins rather than rough bobby pins. After the day, store the gown wrapped in acid-free tissue or have it professionally cleaned and boxed. Most lace will outlast you if treated kindly.

Lace fabric is a continuous bolt of lace, used to cut whole panels of the dress. Lace appliqué is individual lace motifs (flowers, vines, scrolls) hand-placed on illusion mesh or tulle. Appliqué allows asymmetry and graduated detail that flat lace fabric can’t easily do.

Lace can be altered, but it’s more delicate than satin or crepe. Hemming corded lace cleanly requires re-finishing the scallop edge by hand. Taking in a heavily beaded bodice means re-positioning beads. Build extra time into your alteration schedule and use a seamstress with bridal lace experience.

A spaghetti strap is a fine, narrow shoulder strap, usually under 1cm wide, that holds up a bodice. It’s a midpoint between strapless and full straps: less bare than strapless, less covering than off-shoulder or full straps. The look is delicate, modern and clean.

They’ve moved past trend status. Slip-dress silhouettes with spaghetti straps have been a bridal staple since the late 1990s and are now considered a modern classic. Twenty years from now they’ll still look intentional in photos, especially on bias-cut satin or stretch crepe.

Most. They draw attention to collarbones and frame the décolletage, which flatters narrow and broad shoulders alike. Petite brides love them for the unbroken vertical line. Fuller-busted brides can also wear them with the right cup engineering. Browse the spaghetti strap wedding dresses collection to see how different bodices sit.

Yes, with planning. Built-in cups, silicone cups, bridal tape, or a custom corseted bodice can all add support under spaghetti straps. Your seamstress can also add internal boning and a discreet supportive band. Bring this up at your first fitting.

Most are sewn in at a fixed length, which is then tailored to your shoulders during fittings. Some designs have ribbon ties that can be loosened or tightened, but the cleanest looks have invisible fixed straps custom-fit to your frame. Your alterations appointment is where this is dialled in.

Spaghetti straps sit on the shoulders and leave them fully visible, which elongates the neck and frames the collarbones. Off-shoulder dresses sit below the shoulder line and cover the upper arm, which softens the shoulders. Both are flattering, just different moods: spaghetti is sharper and more modern.

Yes, especially in chiffon or soft tulle with a relaxed A-line skirt. Spaghetti strap boho gowns are one of the most-requested looks for vineyard and beach weddings in New Zealand. The straps keep the silhouette light without going fully strapless.

The most flattering combinations are a soft V-neck, a deep scoop, a low square neckline, or a sweetheart. Each opens the décolletage without competing with the straps. A high neck with spaghetti straps tends to read as a tank dress rather than a wedding gown, so it’s worth styling carefully.

Yes, your seamstress can usually add removable or sewn-in spaghetti straps to a strapless gown if you want a different option. Many brides do this for the ceremony, then remove them for the reception. Confirm at your first fitting that the bodice can accommodate them.

They can be, with the right fit. Straps that are too tight dig in at the shoulder; straps too loose let the bodice slip. A well-tailored spaghetti strap dress should feel light, secure and almost invisible. If you can feel them at the end of the day, the straps need adjusting.

Deep V-necks suit smaller busts beautifully because there’s no excess fabric to gape and you don’t have to worry about support engineering. Built-in cups and bridal tape make them comfortable all day. If you’re fuller-busted, a deep V is still possible but needs more structured cups and sometimes a smaller V than the design suggests.

That depends on the church and the celebrant. Many churches ask for covered shoulders but don’t have rules about silhouette. A fitted lace gown with illusion long sleeves can be deeply sexy and still satisfy ceremony requirements. Check with your celebrant if you’re unsure.

Pick one focal point (back, neckline, split) and let everything else stay quiet. Sleek low bun rather than big curls, simple earrings if the bodice has detail, structured bouquet rather than cascading. A sexy dress works best with restrained styling. Don’t try to make every element a statement.

Bias-cut slip dresses fall firmly in the sexy category because of how they skim the body. Stretch crepe and heavy satin slips are the most popular at the moment, especially with a low cowl back. They look minimal on the hanger and quietly powerful on the body.

Sheer panels at the bodice sides, illusion sleeves and lace inserts at the neckline are well-accepted now. Completely transparent panels over bare skin can read costume-y rather than bridal. If you’re unsure, choose illusion mesh in skin-toned or ivory rather than black or starkly white.

Absolutely. Lace plays a big role here. A fitted lace mermaid with illusion sleeves and a low back is romantic and sexy at once. Heavy beading on illusion is another way to soften a daring cut. You’re not choosing between sexy and romantic, you’re choosing how to blend them.

No. A fitted satin sheath with a high neck and long sleeves can be deeply sexy because of the silhouette alone. Skin exposure is one path to sexy, not the only one. Brides who don’t want a plunge or bare back often find their sexy moment in a contoured fit.

A soft cowl drape, a scoop back to the waist, criss-cross strap detailing, or a delicate lace-up. These read elegant from the front and surprise from behind, which is often the look brides are after. Browse the sexy wedding dresses collection for examples that balance front and back.

A modest mid-thigh split is easy to wear and barely visible when you’re standing still. Higher splits need careful styling: lined chiffon, a slip underneath, or a hidden fastening. Practise sitting and walking in any dress with a split before the wedding day.

A close, contoured fit through the bodice or hips, a deeper neckline (plunging V, low sweetheart, halter), a bare back, a leg split, or sheer illusion panels. Most sexy gowns combine one or two of these, not all of them. A fitted slip with a low scoop back can be sexier than a heavily detailed dress.

Elegance in a wedding dress usually comes from clean lines, restrained detailing, balanced proportions and high-quality fabric rather than from heavy embellishment. Think structured satin, soft mikado, fine French lace placed sparingly. An elegant dress lets the bride and the silhouette do the talking, not the embellishment.

There’s overlap but they aren’t the same. Minimalist dresses go further: almost no embellishment, very plain fabrics, often architectural shapes. Elegant dresses can include lace, beading and trains, just used with restraint. If you want quiet refinement with some classical detail, elegant is the term you want.

A-line and fit-and-flare gowns read as the most classically elegant for most brides, followed by sheath and slim mermaid styles. Ball gowns can absolutely be elegant if the bodice is clean and the skirt has structure rather than excessive volume. Browse the elegant wedding dresses collection to compare silhouettes side by side.

The most elegant necklines tend to be clean and considered: a soft sweetheart, a refined V-neck, a bateau or boatneck, an off-shoulder cut, or a high illusion neckline with subtle lace. Avoid anything overly fussy or asymmetrical if you want classic elegance.

All three are elegant. Ivory reads as the most modern and clean, it feels classic and softer against most skin tones. Cream, champagne or blush warms up the look and photographs beautifully. The most flattering colour usually depends on your skin tone, so try a few in the same style to see which lifts your face.

Yes, possibly more than any other category. Elegant gowns flatter all ages because they’re not driven by trend. They photograph timelessly and they feel age-appropriate at 25 or 55. Many of our most elegant fittings are second-time brides or brides marrying later in life who want something refined rather than fashion-forward.

Modern elegant is a strong category in its own right. Think slim crepe gowns, low cowl backs, architectural one-shoulder cuts, and minimal accessories. These dresses still feel elegant because of the restraint, not because they reference a traditional silhouette. A modern bride doesn’t have to give up elegance.

A chapel-length train is the most classically elegant choice: long enough to look intentional, short enough to manage all day. Cathedral trains feel dramatic and formal, sweep trains feel lighter and more contemporary. For an outdoor or destination wedding, a sweep or court train usually works best.

Less is more. A single pair of statement earrings, or a delicate necklace plus simple studs, or one classic bracelet. A clean low chignon or soft waves usually beats anything intricate. The elegance comes from the gown and the bride; accessories should support, not compete.

Yes. Clean lines and refined fabrics catch directional light beautifully, which is why elegant gowns photograph so well at evening ceremonies, dim chapels and golden-hour shoots. Heavy beading can over-reflect under flash, so if you’re planning a candlelit reception, lean toward clean satin or fine lace rather than allover sparkle.

Yes. A soft A-line or column off the shoulder silhouette in lightweight fabrics like silk crepe, fine tulle, or soft satin suits a beach wedding beautifully. The exposed shoulders catch sea breezes and read appropriately for a coastal setting. Avoid heavily structured ballgowns with stiff bands, which can feel rigid against the relaxed atmosphere of a beach ceremony.

A-line, ballgown, and modified ballgown silhouettes with a refined off the shoulder neckline suit church weddings beautifully. The silhouette reads traditional and romantic, photographs stunningly down the aisle, and pairs well with a long veil. Some religious venues prefer slightly more shoulder coverage, in which case a wider off the shoulder band or a lace illusion panel can help.

An off the shoulder gown has a neckline that sits below the shoulders, exposing the upper arms with sleeves or a band that wraps around the upper arms. A cold shoulder gown has cut-outs at the shoulders themselves, with sleeves above and below the gap. The two styles read quite differently in photographs and suit different aesthetics.

Well-fitted off the shoulder sleeves should not restrict arm movement significantly. Look for stretch fabric in the sleeves, flexible internal construction, and a sleeve length that lets you raise your arms comfortably. At your final fitting, dance, lift your arms, and reach forward to confirm the gown allows the movement you need across the day

Updos, half-up styles, and hair worn off the shoulders all work beautifully with off the shoulder gowns because they highlight the exposed shoulders and neckline. Hair worn fully down can compete with the off the shoulder line, especially with longer hair. Try a few styles at your hair trial to compare against the gown.

A-line, ballgown, and modified ballgown silhouettes in heavier fabrics like Mikado satin or duchess satin suit winter off the shoulder weddings beautifully. Pair with a faux-fur stole, a long-sleeve lace bolero, or a beaded cape for the ceremony. Browse the off the shoulder range at Dell’Amore Bridal for cool-season options.

A-line, ballgown, mermaid, fit-and-flare, and sheath silhouettes all pair beautifully with off the shoulder necklines. The exposed shoulders frame the upper body and draw the eye to the collarbone, which works across nearly every silhouette. A-line and ballgown silhouettes are the most popular off the shoulder pairings because they read romantic and timeless

Yes, when fitted correctly. A well-built off the shoulder gown includes an internal corset or structured bodice with internal grip strips, and well-positioned sleeves or band that sits securely on the upper arms. Move actively at your fittings (dance, lift your arms, walk) to confirm the gown stays where it should across the day

Absolutely. Off the shoulder gowns flatter curvy figures beautifully because the exposed shoulders elongate the upper body and the band or sleeve sits securely above the bust. Look for strong internal corsetry, full cup support, and a structured bodice that holds the silhouette confidently across the day. Off the shoulder ballgowns and A-line silhouettes are especially flattering.

Petite brides usually look best in A-line, sheath, or fit-and-flare off the shoulder silhouettes that elongate the body. Avoid multiple-layered ballgowns with wide off the shoulder bands, which can overwhelm a smaller frame. A softer off the shoulder cut with thin lace edging keeps the proportions balanced against a petite frame.

Two piece wedding dresses create the silhouette of a complete gown when the top and skirt are worn together, with a subtle horizontal break at the waist or hip where the pieces meet. The silhouette can read A-line, mermaid, ballgown, or sheath depending on the skirt style. A crop top with a flared skirt is the most popular two piece silhouette.

A well-fitted two piece gown should show only a subtle break at the waist or hip, not a visible gap or skin. Some two piece styles include a small slice of skin between the top and skirt for a modern look, while others sit fully covered. Your bridal seamstress can adjust the fit during alterations to achieve the look you want.

Curvy brides usually look best in two piece gowns with a fitted bodice top and an A-line, fit-and-flare, or trumpet skirt. The fitted top defines the bust and waist, while the flared skirt skims smoothly past the hips. Avoid heavily layered ballgown skirts that can overwhelm a curvier frame against the proportions of the top.

Yes. Petite brides suit two piece gowns with a shorter top (a crop top that ends near the natural waist rather than below the hip), and an A-line or sheath skirt that elongates the body. Avoid overly long bodices, which can shorten the leg line visually. A subtle horizontal break at the natural waist usually photographs most flatteringly.

For a beach wedding, a lightweight crop top with a soft A-line or column skirt in silk crepe, fine tulle, or lightweight lace creates a relaxed, photogenic silhouette. The two piece allows easy movement on sand and through ceremony, photos, and reception. Avoid heavily structured tops or trained skirts that struggle on coastal terrain.

Yes. One of the strengths of a two piece silhouette is the freedom to choose your top and skirt independently. Many brides select a lace top with a smooth satin skirt, or a smooth crepe top with a lace overlay skirt, to create their own combination. Your boutique can advise on which combinations work proportionally.

Crop tops, full bodice tops, halter tops, off-the-shoulder tops, and corset-style tops all suit two piece silhouettes. Choose the top based on the shape you want for the upper body, and your preferred neckline. Match the top’s weight to the skirt: a heavily beaded top usually pairs with a clean skirt and vice versa.

A-line skirts, ballgown skirts, mermaid skirts, sheath skirts, and tea-length skirts all suit two piece silhouettes. Choose the skirt based on the shape you want for the lower body and the venue. A-line skirts are the most popular two piece skirt because they flatter most figures and move beautifully through the day.

The two piece silhouette photographs beautifully when the top and skirt are well matched in fabric, embellishment, and proportion. The subtle horizontal break at the waist can read as a clean visual line in photographs, often elongating the lower body. Some photographers position the bride from slightly above to soften the visible break.

Yes. Many brides add an over-skirt, a removable cape, or a second top piece for the reception, transforming the silhouette from ceremony to reception. The team at Dell’Amore Bridal can guide you through two piece options and styling combinations at their Auckland boutique.

A-line, sheath, column, fit-and-flare, mermaid, and modified ballgown all suit open backs beautifully. The silhouette of the gown sets the formality, while the open back adds a feature element. A clean A-line with a soft V open back reads romantic, while a sheath with a deep plunge open back reads modern and considered.

For a beach wedding, soft A-line or column silhouettes with a strappy or illusion lace open back work beautifully. The exposed back catches sea breezes and photographs stunningly against the horizon. Avoid heavily trained mermaid silhouettes, which struggle on sand. A moderate sweep or brush train keeps the gown manageable on coastal terrain.

Yes. Open backs flatter most curvy figures beautifully when the silhouette is built with the right internal support. Look for a structured bodice with full cup support, a fitted waist that defines the silhouette, and an open back that suits your specific back shape. A bridal seamstress can adjust the back depth and width during alterations.

Yes, almost always. Open backs make standard bras impossible. Most brides rely on built-in cup support sewn into the bodice, low-back bras with thin strap extensions, or adhesive bra cups. Some open back gowns include internal grip strips or boning that supports the bust without needing additional foundation garments.

Petite brides usually look best in A-line, sheath, or column silhouettes with a softer V or scoop open back. Avoid deep plunging open backs that can look out of proportion on a shorter torso. A softly draped open back with thin straps or an illusion lace panel keeps the silhouette balanced against a petite frame.

Often yes. Many bridal seamstresses can lower the back of a gown during alterations to create an open back, although the change has limits depending on the original construction. Discuss the option early with your boutique so they can advise whether the alteration is possible and what it would involve for your specific gown.

A-line, ballgown, and modified ballgown silhouettes with a moderate open back suit winter weddings well when paired with a fur or faux-fur stole, a long-sleeve lace bolero, or a beaded cape for the ceremony. Many brides remove the cover-up for the reception to show the open back silhouette under interior lighting.

A well-fitted bodice with internal grip strips, a snug waistline, and supportive cups keeps an open back gown comfortable across a long wedding day. The fit through the rib cage and bust is more important than the back cut itself. Move actively at your fittings (dance, lift your arms, sit) to confirm the gown stays where it should.

Illusion lace open backs photograph stunningly because the pattern catches light beautifully and the contrast between lace and skin reads sharply in photographs. Deep V backs and strappy lattice backs also photograph beautifully, particularly during the recessional and first dance. Have your bridal consultant photograph the back at your fittings to compare.

The veil drapes over your hair and shoulders rather than the open back, so the back of the gown remains visible from below the veil. Some brides choose a shorter birdcage or fingertip veil specifically to keep the open back visible throughout the ceremony. Explore open back wedding dresses at Dell’Amore Bridal in Auckland to see the full range.

Yes, when built and fitted correctly. A strapless gown relies on internal boning, a structured corset bodice, internal grip strips, and the right fit through the rib cage. Book multiple fittings to perfect the fit. Move actively at your final fitting (dance, lift your arms, sit, walk briskly) to confirm the gown stays put through every part of the day.

Absolutely. Strapless ballgowns, fit-and-flare gowns, and modified mermaid silhouettes flatter curvy figures beautifully. Look for strong internal corsetry, full cup support, and a sturdy bodice with internal boning that holds the silhouette confidently. A bodice that is too soft will not support a heavier bust through the day.

Petite brides usually look best in A-line, sheath, or fit-and-flare strapless silhouettes that elongate the body. Avoid heavy ballgown skirts that can overwhelm a smaller frame. A higher waist and a softly flared skirt keep the silhouette balanced against a shorter frame, while a sweetheart or straight-across strapless cut suits most face shapes.

Yes, with a lace bolero, a beaded cape, an illusion lace overlay, or a removable jacket for the ceremony. Many brides remove the cover-up for the reception, returning to the original strapless silhouette. Plan the cover-up choice early so it integrates cleanly with your gown rather than feeling added on at the last minute.

For a beach wedding, soft A-line or column strapless silhouettes in lightweight fabrics like silk crepe, fine tulle, or soft satin work beautifully. The exposed shoulders read appropriately for a coastal setting, and the silhouette moves easily on sand. Avoid heavily trained ballgown silhouettes, which struggle on uneven beach terrain.

Yes. Strapless gowns are one of the most popular choices for summer weddings because the exposed shoulders and decolletage keep the bride cool. Lightweight fabrics like crepe, chiffon, soft tulle, and Mikado satin all suit summer comfortably. Pair with a long veil and statement earrings to complete the look.

A strapless ballgown or A-line in heavier fabrics like Mikado satin or duchess satin holds shape beautifully in cold weather, especially when paired with a faux-fur stole, beaded cape, long-sleeve lace bolero, or fitted jacket for the ceremony. Many brides remove the cover-up for the reception to show the original strapless silhouette under interior lighting.

A heavier bust needs strong internal construction in a strapless gown: full cup support, vertical boning across the bodice seams, reinforced rib cage fit, and internal grip strips at the upper edge. Some brides add a strapless bra inside the gown for additional support. A bridal seamstress can advise during your fittings.

Yes. Strapless has remained one of the most popular wedding dress neckline choices for decades because it suits every silhouette, flatters most figures, and frames the face beautifully in photographs. See strapless wedding dresses at Dell’Amore Bridal across sweetheart, straight-across, dipped, and asymmetric cuts

A-line, ballgown, mermaid, fit-and-flare, and modified trumpet silhouettes all pair beautifully with strapless necklines. The exposed shoulders highlight the silhouette of the gown without competing visually, which is why strapless has remained one of the most popular bridal neckline choices for decades across every silhouette category.

A-line, sheath, column, fit-and-flare, mermaid, and modified ballgown all pair beautifully with long sleeves. The sleeve style (lace, satin, illusion, full bishop, or fitted) shapes the look more than the silhouette does. A clean A-line with long lace sleeves reads romantic, while a sheath with long satin sleeves reads modern and considered.

Long sleeves in lightweight fabrics like fine Chantilly lace, soft tulle, or silk chiffon stay comfortable in warm weather. Heavier fabrics like Mikado satin or beaded lace can feel hot in summer. For warm-weather weddings, look for breathable lace, removable sleeves, or a long-sleeve bolero you can remove for the reception.

A-line, sheath, or column silhouettes with long sleeves elongate the body line beautifully on petite brides. Avoid heavily layered ballgowns with bishop sleeves, which can overwhelm a small frame. Look for fitted lace sleeves or smooth satin sleeves that follow the arm, keeping proportions in balance with your overall height.

Yes. Long sleeves in lace, satin, or illusion provide flattering coverage for the upper arms while highlighting the silhouette of the gown. Choose sleeve styles that fit the arm without pulling. Stretch lace and lightweight crepe sleeves move comfortably across a wide range of figures, and most styles can be adjusted at fittings.

A-line and modified ballgown silhouettes with long lace or satin sleeves suit church weddings beautifully. The covered look respects the formality of the venue, the silhouette photographs stunningly down the aisle, and the gown holds presence in a larger space. A modest train and a longer veil complete the look.

Yes, when the sleeves are made from fine Chantilly lace, soft chiffon, or thin illusion mesh. Many beach brides love long lace sleeves for sun protection and a romantic, bohemian feel. Pair with a soft A-line or sheath silhouette in lightweight fabric that moves easily on sand and in coastal breezes.

A-line, sheath, and column silhouettes with full lace bishop sleeves or flared bell sleeves create the classic Boho long-sleeve aesthetic. Look for fine Chantilly lace, all-over lace overlays, and softly flowing skirts. Pair with loose waves in your hair, delicate jewellery, and an outdoor venue for the full Boho effect.

Long sleeves need careful fitting through the upper arm, elbow, and wrist. Allow extra time at fittings for sleeve adjustments, especially if the sleeves are in lace, which is harder to alter without disrupting the pattern. Try sitting, raising your arms, and reaching forward in any long-sleeve gown to check comfort across the day.

Detachable long sleeves give you two looks from one gown: a covered ceremony look and a sleeker reception look. They suit brides who want long sleeves for tradition or photographs but prefer more freedom for dancing. Most bridal boutiques offer detachable sleeves as a built-in option or can add them during alterations.

A-line, modified ballgown, and sheath silhouettes in heavier fabrics like Mikado satin or corded lace suit winter weddings beautifully. The long sleeves provide warmth without needing additional layers. Explore the long sleeve range at Dell’Amore Bridal for cool-season options across silhouettes.

A-line and modified A-line lace silhouettes suit garden weddings beautifully. The shape moves easily on grass, lifts gently in soft breezes, and photographs stunningly in natural light. Avoid heavily trained silhouettes that pick up grass, dirt, and petals. A bustled train option for the reception lets you have a longer ceremony train without complications.

Yes. Many brides choose a lace bodice with a smooth satin or tulle skirt, or a smooth bodice with a lace skirt, or lace appliques scattered across an otherwise plain silhouette. This balance lets you enjoy the romance of lace without it dominating the gown. Your bridal consultant can show options across the spectrum at your appointment.

Tall brides have the most flexibility. They can carry fuller lace ballgowns, longer lace trains, and more dramatic mermaid lace silhouettes that shorter brides find overwhelming. Larger-scale lace motifs hold their visual weight against a longer line, while smaller motifs can read busy. Try silhouettes across the spectrum to see which suits your overall proportions best.

The silhouette influences how lace catches light. A-line, mermaid, and fit-and-flare silhouettes spread the lace pattern across the body and skirt, photographing beautifully in natural light. Sheath and column silhouettes hold the lace closer to the body, producing a more sculptural effect. Ballgown silhouettes show lace dramatically across a wider canvas.

Vintage lace looks suit A-line, modified ballgown, and tea-length silhouettes especially well. Think classic Chantilly lace, soft layered tulle underneath, sweetheart or scoop necklines, and refined detailing along the hem. The team at Dell’Amore Bridal can guide you through vintage-inspired silhouettes during your appointment at their Auckland boutique.

A-line, fit-and-flare, mermaid, sheath, and modified ballgown silhouettes all work beautifully with lace. The texture of the fabric adapts to the cut of the gown rather than dictating it. A-line is the most popular foundation for lace because the clean shape gives the pattern room to read clearly across the bodice and skirt.

Petite brides usually look best in A-line, fit-and-flare, or sheath silhouettes with smaller-scale lace patterns. Avoid heavily layered lace ballgowns, which can overwhelm a smaller frame. Look for delicate Chantilly lace or fine Alencon with proportional motifs that keep the visual balance of the gown in line with your height.

Absolutely. A well-built all-over lace gown in an A-line or fit-and-flare silhouette flatters most curvy figures beautifully. Look for sturdy internal corsetry, supportive bodice construction, and lace that has been positioned thoughtfully across the bodice to flatter the bust and waist. Smaller motifs along the bodice with larger ones across the skirt usually balance the silhouette best.

A-line and sheath silhouettes suit long-sleeve lace gowns particularly well because the clean lines through the body let the lace sleeves do the talking. Fit-and-flare and mermaid silhouettes also work beautifully, especially when the lace continues from the sleeves through the bodice into the skirt. Match the formality of the silhouette to your venue.

A mermaid lace silhouette can work for a beach wedding when the lace is lightweight and the train is moderate. Heavier corded lace with a long train struggles on sand and in coastal breezes. Look for fine Chantilly lace, soft fit-and-flare cuts (which start to flare at the upper thigh rather than the knee), and a brush or sweep train.

Updos, half-up styles, and hair worn over one shoulder all work beautifully with spaghetti strap gowns because they highlight the shoulders, neckline, and back. Hair worn fully down can compete with the strap line, especially with detailing across the back. See the spaghetti strap range at Dell’Amore Bridal to compare styles in person.

Spaghetti straps work with most silhouettes including A-line, sheath, column, fit-and-flare, mermaid, and modified ballgown. They pair especially well with silhouettes that highlight the upper body, such as fitted bodices and softly draped necklines. The thin straps frame the shoulders and collarbone without competing with the rest of the gown.

Yes. Spaghetti straps suit curvy brides who want shoulder coverage without bulk. Look for built-in cup support, internal boning across the bodice, and adjustable strap length. A fit-and-flare or A-line silhouette with spaghetti straps highlights the waist while the skirt skims smoothly past the hips, creating a balanced shape across most curvy figures.

Quality spaghetti straps stay put when fitted correctly. Adjustable straps, internal grip strips, and a well-fitted bodice all help. Avoid loose straps that can slip off your shoulders during dancing or photographs. At your fittings, move actively in the dress (raise your arms, dance a few steps) to make sure the straps stay where they should.

Yes, when the dress is built for it. A structured internal bodice with full cup support, vertical boning corset, and reinforced strap anchoring can carry a heavier bust on spaghetti straps. Some brides choose slightly wider straps (still thin but with more surface area) for additional support. A bridal seamstress can advise based on your bust shape and dress style.

For a beach wedding, a soft A-line or column silhouette with spaghetti straps in lightweight silk crepe or fine tulle suits beautifully. The thin straps keep the shoulders cool and frame a sun-kissed decolletage, while the silhouette moves easily on sand. Avoid heavily embellished bodices that can feel weighty in warm coastal conditions.

Spaghetti straps work for winter weddings when paired with a long-sleeve lace bolero, a beaded cape, a fur or faux-fur stole, or a fitted jacket for the ceremony. Many brides remove the cover-up for the reception to show the original silhouette. Plan the layering at your fittings so the bolero or cape fits cleanly over the straps.

Yes. Most bridal seamstresses can add removable or fixed spaghetti straps to a strapless gown during alterations. The straps can be made from the same fabric as the bodice, or in lace or beading for visual interest. This is a popular option for brides who love a strapless silhouette but want some shoulder coverage and additional security.

Sweetheart, straight-across, V, and softly scooped necklines all pair beautifully with spaghetti straps. The thin straps lift the focus to the upper body without crowding the neckline. Avoid high necklines, which can compete with the straps visually. The neckline you choose should suit your bust shape and the silhouette of the gown overall.

Yes. Spaghetti straps suit petite brides especially well because the thin lines elongate the upper body and frame the collarbone without adding visual bulk. Pair with an A-line, sheath, or column silhouette for maximum elongating effect. Avoid heavily layered ballgown skirts, which can overwhelm a smaller frame against the delicate strap line.

Mermaid, trumpet, fit-and-flare, sheath, and column silhouettes lead the sexy category because they follow the body’s lines and highlight the figure. Plunging V necklines, open backs, side cut-outs, and slit skirts add to the effect. A close-to-body silhouette with strategic skin or sheer panels is the foundation of most sexy bridal looks.

Yes, with the right fit and internal construction. A well-built mermaid gown for a curvy bride includes strong internal boning, supportive bodice lining, and a kick pleat in the skirt to allow comfortable walking. Look for stretch satin or jersey-backed lace for movement, and book multiple fittings to perfect the fit through the hips and thighs.

For a beach wedding, lean toward sheath, column, or soft fit-and-flare silhouettes in lighter fabrics like silk crepe, jersey, or fine lace. A high slit skirt adds movement and lets sand and water pass without weighing down the dress. Avoid heavy mermaid silhouettes with long trains, which struggle on uneven sand and coastal breezes.

Not quite. A fit-and-flare silhouette flares from around the upper thigh, giving more skirt movement and easier walking. A mermaid silhouette flares lower, usually from the knee, for a more dramatic body-hugging shape. Both silhouettes suit the sexy category, but fit-and-flare offers more comfort and movement across a long wedding day.

An open back transforms the back of the gown into a feature. Deep V backs, plunging cut-outs, and strappy lattice backs all extend the sexy aesthetic from the front of the dress to the back. Many brides find open backs photograph beautifully during the recessional and first dance, often producing some of the most striking shots from the day.

For a garden wedding, soft fit-and-flare and column silhouettes balance sexy with appropriate. A sleek silhouette with a plunging V neckline, an open back, or a single side slit reads confident without being overstated. Look for fabrics that move beautifully in soft outdoor light: silk crepe, soft tulle layered over a lining, or fluid satin.

Yes, with adjustments. Petite brides suit shorter trains, slightly higher flare points (closer to the upper thigh than the knee), and smaller-scale embellishment. The silhouette can elongate a petite frame beautifully when proportions are right. Avoid heavily detailed mermaid skirts with multiple tiers, which can overwhelm a shorter line and shorten the leg visually.

Mermaid and trumpet silhouettes in luxurious fabrics like satin-back crepe, duchess satin, or beaded lace suit formal ballroom receptions perfectly. The silhouette reads dramatic and confident, photographs stunningly under interior lighting, and holds presence in larger spaces. Pair with a chapel or cathedral train and statement accessories to complete the look.

Stretch fabrics, a kick pleat at the back of the skirt, removable straps or sleeves, and a structured bodice with internal corset all add comfort without changing the silhouette. Plan for multiple fittings to perfect the fit through the bust, waist, and hips. A second look for the reception (a shorter dress or detached skirt) is another option.

Not at all. Sexy can come from a close-to-body silhouette with full coverage, a strategically placed sheer panel, a single high slit, or a deep V back with a high neckline at the front. Browse sexy wedding dresses at Dell’Amore Bridal to see the range across both subtle and bolder interpretations.

Silhouette affects comfort more than fabric does. A-line, sheath, and column silhouettes generally allow the most freedom of movement through ceremony, photos, and dancing. Mermaid and trumpet silhouettes restrict stride more, especially for stairs and walking on grass. Try walking, sitting, and lifting your arms in any silhouette before committing to it.

Tall brides have the most flexibility with silhouette choice. They can carry fuller ballgowns, longer trains, and more dramatic mermaid silhouettes that shorter brides find overwhelming. They also look beautiful in clean column gowns where the long line of the silhouette reads almost sculptural. Smaller bodice details keep proportion balanced on a longer torso.

A-line and modified ballgown silhouettes in heavier fabrics like Mikado satin, duchess satin, or structured crepe suit winter weddings beautifully. The weight of the fabric holds its shape against the cold, and the silhouette pairs well with a fur or faux-fur stole, a long-sleeve lace bolero, or a beaded cape for the ceremony. Plan layering at your fittings.

Yes. Clean elegant silhouettes photograph beautifully because the eye reads them clearly without distraction. A-line, sheath, and column silhouettes especially suit natural light photography and modern editorial styling. The team at Dell’Amore Bridal can show you elegant silhouettes across the spectrum at their Auckland boutique.

A-line and modified A-line silhouettes are widely considered the most elegant choices because the clean line from a fitted bodice to a flowing skirt suits almost every body type. Sheath and column silhouettes also read elegant when worn in smooth satin or crepe. The right silhouette for you depends on body shape, venue, and personal style.

No. Elegance comes from cut, fabric, and proportion rather than from volume. Many of the most elegant wedding dresses are A-line, sheath, column, or modified mermaid silhouettes in fluid fabrics. Ballgowns can absolutely read elegant, especially in plain Mikado satin without heavy embellishment, but they are one option among several rather than the default choice.

Petite brides usually look best in fit and flare, sheath, or column silhouettes that elongate the body. Avoid heavily layered ballgowns that can overwhelm a smaller frame, and look for cleaner detailing across the bodice. A higher waistline, a softly flared skirt, and shoes close to your wedding heel height during fittings all help keep proportions balanced.

Absolutely. Curvy brides often look stunning in A-line, fit-and-flare, and modified mermaid silhouettes built in heavier fabrics like Mikado satin or duchess satin that hold their shape. The fitted bodice defines the waist while the skirt flares smoothly past the hips. Internal corsetry and shaping seams keep the silhouette secure and supportive across a long wedding day.

A modified ballgown, a structured A-line, or a fit-and-flare silhouette all suit elegant ballroom venues. The architecture of the room rewards a gown with presence and a moderate train. Avoid silhouettes that feel too casual or beach-inspired in this setting. Pair the silhouette with a long veil and refined accessories for the full effect.

Elegant does not have to mean plain. An elegant silhouette can carry beautiful lace, considered beading, a dramatic V back, or a sweeping train. The defining quality is restraint with intent rather than absence of detail. The dress should feel considered rather than busy, with every element earning its place on the gown.

You can purchase a veil online from the product listings. If you want help choosing the right veil length and style for your dress, book an appointment with the boutique team.

Many veils are listed as in stock and may be available to backorder. If you’re unsure about timing, contact the boutique before you purchase.

Yes, we can create a custom veil for your gown in any length, with a design that matches your dress perfectly.

Yes. Some veils are two-layer designs, giving you the option of a blusher plus extra volume for a more traditional look.

The veils on this page include styles made from tulle and nylon, designed to drape softly and sit comfortably with a light plastic comb.

Yes. There are veils with a thin beaded edge, plus styles finished with satin ribbon edging for a clean, defined outline.

Yes, we have veils available in colours like purple, blush, green, blue, and more, along with colourful floral veils for a soft pop of colour.

Are there bridal veils with flowers?

Yes. There are lace-edge styles, including options with lace trim and lace plus floral detailing.

Yes. You’ll find long veils in soft tulle, including long styles like floor, chapel, and cathedral veils with beaded edging, satin ribbon edging, and floral details.

Yes. There are short options, including a birdcage veil, fingertip veil, and other short nylon veils finished with a satin bow, plus short veils with lace and floral edging.

This page features a curated range of bridal veils, including simple veils, short veils, long veils, lace-trim veils, pleated veils, beaded-edge veils, satin ribbon-edge veils, and styles with floral details.

Dell’Amore Bridal is located at Level 1, 27 Ponsonby Road, Auckland. Call: +64 21 267 2371. Email: [email protected]. Contact form and appointment booking are available online at https://dellamore.co.nz/booking/.

Yes, there are dedicated styles for Beach and Casual ceremonies, plus lightweight, comfortable options across the collection.

Yes. There are options for Black, Blush and Colour, Floral, Gold, Silver, and more.

Some of the exclusive European designers include Ange Etoiles, Blammo-Biamo, Rara Avis, Romanova Atelier, Patricia Couture, Sonya Soley, Sonesta, and Martha.

Yes, personal consultations and fittings can be booked online or by contacting the Auckland showroom. During your 1.5-hour appointment, you are welcomed with refreshing beverages and your favourite tunes. A consultant will learn about your wedding day and preferences, introduce you to designers, and help you select dresses that suit your style. The experience is relaxed and designed to make choosing your wedding dress a great experience.

Yes, you can browse and order wedding dresses online from anywhere in NZ. In-person appointments are available at the Auckland boutique, and you can contact the team via phone, email, or contact form. Check the Instagram page for the most recent trends and inspirations.

You’ll find dresses crafted from a range of fabrics such as chiffon, lace, satin, crepe and mikado, silk, tulle, organza, porcelain, dried flowers, Japanese clay, seashells and other unique fabrics.

Yes, see the Plus Size wedding dresses with filtered options to help every bride find her perfect fit.

Yes, you can filter by price range with options from under $2,000 up to over $6,000. For great deals, check the Sale section.

Dell’Amore Bridal offers a wide range of styles, including A-Line, Convertible, Fit & Flare, Mermaid, Midi, Princess, Sheath, Short, and Wedding Jumpsuits. There are popular options like Sexy, Bohemian, Beach, Romantic, Couture, Elegant, Simple, Vintage, and more. You can explore neckline and detail options such as sweetheart, off-the-shoulder, strapless, long sleeve, spaghetti strap, open back, two-piece, tea length, and silk gowns.